» » Michael Shrieve with Kevin Shrieve and Klaus Schulze - Transfer Station Blue

Michael Shrieve with Kevin Shrieve and Klaus Schulze - Transfer Station Blue FLAC download

Michael Shrieve Experimental Prog Rock 1984 Germany
  • Performer: Michael Shrieve
  • Title: Transfer Station Blue
  • Size FLAC ver: 1166 mb
  • Country: Germany
  • Released: 1984
  • Style: Experimental, Prog Rock
  • Other formats: AAC WMA APE MOD MIDI MP2 AHX
  • Genre: Electronic / Rock
  • Rating: 4.9 of 5
Michael Shrieve with Kevin Shrieve and Klaus Schulze - Transfer Station Blue FLAC download
Michael Shrieve with Kevin Shrieve and Klaus Schulze - Transfer Station Blue FLAC download

Tracklist Hide Credits

A1 Communiqué: "Approach Spiral" 13:20
A2 Nucleotide 4:41
B1 Transfer Station Blue
Bass – Will LeeCongas – Sammy FigueroaRhythm Guitar [Chords] – Hiram Bullick*
 11:57
B2 View From The Window 7:11

Companies, etc.

  • Phonographic Copyright (p) – Maitreya Music
  • Copyright (c) – Maitreya Music
  • Mastered At – Fantasy Studios
  • Pressed By – Record Technology Incorporated

Credits

  • Artwork [Airbrushed] – Barbara Falconer
  • Artwork [Digital Halftoning] – Michael Plass
  • CGI Artist – Maureen Stone
  • Drums, Timbales, Electronic Drums [Simmons] – Michael Shrieve
  • Engineer – Bobby Scott Cohen, Daryll Gustamachio*, Jason Corsaro, Klaus Schulze, Peter Roulinavage*, Stephan Galfas, Stephen Hill
  • Guitar, Electric Piano [Wurlitzer Electronic Piano] – Kevin Shrieve
  • Illustration [Cover], Design [Graphic Design] – Janaia Donaldson
  • Mastered By – George Horn
  • Photography By – Deborah Feingold, Klaus Muller*, Richard McCaffrey
  • Producer – Kevin Shrieve, Michael Shrieve
  • Synthesizer, Sampler – Klaus Schulze
  • Written-By – Kevin Shrieve (tracks: A1, B1, B2), Klaus Schulze, Michael Shrieve

Notes

Includs a printed inner sheet.

Other versions

Category Artist Title (Format) Label Category Country Year
FOLP 4.00163 Michael Shrieve with Kevin Shrieve and Klaus Schulze Michael Shrieve with Kevin Shrieve and Klaus Schulze - Transfer Station Blue ‎(LP, Album, Whi) Line Music GmbH FOLP 4.00163 Germany 1986
FOMC 7.00163, 7.00163 Michael Shrieve with Kevin Shrieve and Klaus Schulze Michael Shrieve with Kevin Shrieve and Klaus Schulze - Transfer Blue Station ‎(Cass, Album, M/Print, Dol) Line , Line FOMC 7.00163, 7.00163 Germany 1986
none Michael Shrieve, Klaus Schulze & Kevin Shrieve Michael Shrieve, Klaus Schulze & Kevin Shrieve - Transfer Station Blue ‎(CDr, Album, RE, On ) Colorburst Soundfield none US 2013
ARSN 228061, AN-2107 Michael Shrieve With Kevin Shrieve And Klaus Schulze Michael Shrieve With Kevin Shrieve And Klaus Schulze - Transfer Station Blue ‎(CD, Album, Ltd, Unofficial) ArsNova, ArsNova ARSN 228061, AN-2107 Russia 2000
17023-2 Michael Shrieve With Kevin Shrieve And Klaus Schulze Michael Shrieve With Kevin Shrieve And Klaus Schulze - Transfer Station Blue ‎(CD, Album, RP) Fortuna Records 17023-2 Germany Unknown



Comments (5)

Zeks Horde
Is this reissued in 2018 ?
lubov
There seems to be a reissue on the way coming soon.
Monn
Has no one else picked up that the first piece, Communiqué: "Approach Spiral" is the exact same track as featured on Klaus Schulze's Wahnfried album, Tonwelle? The piece, Druck, on that album, is identical. The only difference being that it is slightly longer, and features guitar work overdubbed - rumoured to be Carlos Santana, though never confirmed. Transfer Station Blue was released three years later, but when the original piece was recorded is anyone's guess.
Dddasuk
"From Drive Inn, Racing has the same sequencer/rhythm backing as used on Richard Wahnfried's Druck from Tonwelle, and Communiqué from Michael Shrieve's Transfer Station Blue. The syncopated rhythm is truly the best part of these tracks, with each having its unique features. [Therefore, the Druck rhythm has been stolen many times by others -kdm] Druck has the advantage of Manuel Göttsching's fine guitar work (as least I recognize it as Manuel). Without feedback to dramatize the finger work, Manuel plays with great rhythmic feeling, complementing perfectly KS' sequencer and Michael's percussion through the first half of Druck. For Communiqué, the absence of Manuel's guitar is compensated by more percussion, a slightly faster tempo, and bringing additional sequencer sounds to the front. Interestingly enough, the last five minutes of Druck contain what sounds like the same sequencer embellishments, making Druck the most complete and varied version. Racing is slightly slower, much shorter, and brings Michael Garvens' voice out front. I am sure that Garvens made an attempt to complement the rhythm with his "percussive" voice, but overall this track yields the least satisfying result. I also detect some unique or remixed keyboard sounds as well."from here: http://www.klaus-schulze.com/opinions/altern.htm
Silly Dog
AMAZING!this you have to listen for yourself.

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