» » Edith Frost - Calling Over Time

Edith Frost - Calling Over Time FLAC download

Edith Frost Folk Rock Acoustic 1997 US
  • Performer: Edith Frost
  • Title: Calling Over Time
  • Size FLAC ver: 1541 mb
  • Country: US
  • Released: 1997
  • Style: Folk Rock, Acoustic
  • Other formats: AUD AA VOX MMF AIFF WAV MIDI
  • Genre: Rock
  • Rating: 4.7 of 5
Edith Frost - Calling Over Time FLAC download
Edith Frost - Calling Over Time FLAC download

Tracklist

A1 Temporary Loan 4:44
A2 Follow 3:42
A3 Calling Over Time 3:10
A4 Denied 3:20
A5 Pony Song 3:42
B1 Too Happy 3:24
B2 Wash Of Water 3:33
B3 Shadows 2:44
B4 Thine Eyes 3:52
B5 Give Me Your Love 2:45
B6 Albany Blues 3:02

Companies, etc.

  • Published By – Marfa Music
  • Phonographic Copyright (p) – Drag City Inc.
  • Copyright (c) – Drag City Inc.
  • Pressed By – Record Technology Incorporated – 1139
  • Mastered At – Golden Mastering

Credits

  • Mastered By – Golden*
  • Performer [Musicians] – David Grubbs, Edith Frost, Jim O'Rourke, Rian Murphy, Rick Rizzo, Sean O'Hagan
  • Photography By – Chuck Cors
  • Producer – Rian Murphy
  • Recorded By, Mixed By – Jim O'Rourke
  • Written-By – Edith Frost

Barcode and Other Identifiers

  • Matrix / Runout (Side One, etched): DC-89-A 1139,1
  • Matrix / Runout (Side Two, etched): DC-89-B 1139,2
  • Matrix / Runout (both sides, stamped): GOLDEN

Other versions

Category Artist Title (Format) Label Category Country Year
DC89CD Edith Frost Calling Over Time ‎(CD, Album, Promo) Drag City DC89CD US 1997
DC89CD Edith Frost Calling Over Time ‎(CD, Album) Drag City DC89CD US 1997



Comments (1)

Frosha
SUPPORTED BY AN All-Star cast (Rick Rizzo of Eleventh Dream Day and Sean O'Hagan of Stereolab) and affecting songwriting skills - "Calling Over Time" turns in a deeply satisfying reductionist record that reveals a lonely voice intertwined with several solo instruments ranging from violin to slow strummed acoustic guitar and/or organ, but most notably the conventional stylings of David Grubbs - yes, you read it right, David is playing "conventionally" - on the piano and Jim' O'Rourke on guitar here and there (as well as whipping it altogether up). The boundaries never stray far from a minimalist approach (working well to impart on the listener an intimate setting) with the tempo set consistently the same throughout with the exception of "Shadows" or the up beat "Too Happy," but I think you'll find it's Edith Frost's ghostly affecting vocals delivering a chemical pulse as soft as rain that pulls you in.

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