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Cecil Taylor - Unit Structures FLAC download

  • Performer: Cecil Taylor
  • Title: Unit Structures
  • Size FLAC ver: 1321 mb
  • Country: US
  • Released: 1966
  • Style: Free Jazz
  • Other formats: DTS TTA XM AAC MOD AIFF MIDI
  • Genre: Jazz
  • Rating: 4.7 of 5
Cecil Taylor - Unit Structures FLAC download
Cecil Taylor - Unit Structures FLAC download

Tracklist

Steps
Enter Evening (Soft Line Structure)
Unit Structure / As Of A Now / Section
Tales (8 Whisps)

Versions

Category Artist Title (Format) Label Category Country Year
BLP 4237 Cecil Taylor Unit Structures ‎(LP, Album, Mono) Blue Note BLP 4237 US 1966
BST 84237 Cecil Taylor Unit Structures ‎(LP, Album) Blue Note BST 84237 US 1966
BST 84237 Cecil Taylor Unit Structures ‎(LP, Album, RP) Blue Note BST 84237 US 1967
BST 84237 Cecil Taylor Unit Structures ‎(LP, Album, RE) Blue Note BST 84237 US 1969
BST 84237 Cecil Taylor Unit Structures ‎(LP, Album, RE) Blue Note BST 84237 US 1970
BST 84237 Cecil Taylor Unit Structures ‎(LP, Album, RE) Blue Note BST 84237 US 1972
BST 84237 Cecil Taylor Unit Structures ‎(LP, Album, RE) Blue Note BST 84237 US 1973
BST 84237 Cecil Taylor Unit Structures ‎(LP, Album, RE) Blue Note BST 84237 US 1975
BST 84237 Cecil Taylor Unit Structures ‎(LP, Album, RE) Blue Note BST 84237 US 1975
BST 84237 Cecil Taylor Unit Structures ‎(LP, Album, RE) Blue Note BST 84237 US 1975
BNS 40023 Cecil Taylor Unit Structures ‎(LP, Album, RE) Blue Note BNS 40023 UK 1977
GXK 8147, BST 84237 Cecil Taylor Unit Structures ‎(LP, Album, RE) Blue Note, Blue Note GXK 8147, BST 84237 Japan 1980
BST 84237 Cecil Taylor Unit Structures ‎(LP, Album, RE) Blue Note BST 84237 France 1984
BNJ 71047, BST 84237 Cecil Taylor Unit Structures ‎(LP, Album, RE) Blue Note, Blue Note BNJ 71047, BST 84237 Japan 1984
CDP 7 84237 2 Cecil Taylor Unit Structures ‎(CD, Album, RE) Blue Note CDP 7 84237 2 US 1987
CP32-9542 Cecil Taylor Unit Structures ‎(CD, Album, RE) Blue Note CP32-9542 Japan 1987
CDP 7 84237 2 Cecil Taylor Unit Structures ‎(CD, Album, RE) Blue Note CDP 7 84237 2 US 1987
TOCJ-4237, BNST-84237 Cecil Taylor Unit Structures ‎(CD, Album, RE, RM) Blue Note, Blue Note TOCJ-4237, BNST-84237 Japan 1998
TOCJ-9235, BNST-84237 Cecil Taylor Unit Structures ‎(CD, Album, Ltd, RE, RM, Pap) Blue Note, Blue Note TOCJ-9235, BNST-84237 Japan 2000
TOCJ-6672, BST-84237 Cecil Taylor Unit Structures ‎(CD, Album, RE, RM) Blue Note, Blue Note TOCJ-6672, BST-84237 Japan 2006
TOCJ-8591 Cecil Taylor Unit Structures ‎(CD, Album, Ltd, RE, RM) Blue Note TOCJ-8591 Japan 2010
UCCQ-9193 Cecil Taylor Unit Structures ‎(CD, Album, Ltd, RE, RM) Blue Note UCCQ-9193 Japan 2015
BST 84237, B0022237-01 Cecil Taylor Unit Structures ‎(LP, Album, RE, RM) Blue Note, Blue Note BST 84237, B0022237-01 US 2015
BST 84237 Cecil Taylor Unit Structures ‎(LP, Album, RE, RM, 180) Blue Note BST 84237 Europe 2015
BST 84237, BST-84237 Cecil Taylor = セシル・テイラー* Cecil Taylor = セシル・テイラー* - Unit Structures = ユニット・ストラクチャーズ ‎(LP, Album, RP) Blue Note, Blue Note BST 84237, BST-84237 Japan Unknown
CDP 7 84237 2 Cecil Taylor Unit Structures ‎(CD) Blue Note CDP 7 84237 2 US Unknown
BST 84237, BLP 4237 Cecil Taylor Unit Structures ‎(LP, Album) Blue Note, Blue Note BST 84237, BLP 4237 Europe Unknown
BST 84.237, BST 84237-U Cecil Taylor Unit Structures ‎(LP, Album, RE) Blue Note, United Artists Records France BST 84.237, BST 84237-U France Unknown



Comments (2)

Moonshaper
I don't have a bad word to say about quality of the Blue Note's 75th Anniversary vinyl series in general. All of the EU pressings I've purchased have been top notch quality. Well, the US pressings are whole different story and what you get in the package varies a lot. What Amazon DE did send me was the US pressing with a little bit of surface noise and cracks and pops here and there. However, proper cleaning with liquid did the magic and now I hold the somehow enjoyable piece of listening. I'm still keeping one eye open for EU pressing (or NM 60's copy). So when in doubt: wash your records.
NiceOne
After several years off records, pianist Cecil Taylor finally had an opportunity to document his music of the mid-'60s on two Blue Note albums (the other one was Conquistador). Taylor's high-energy atonalism fit in well with the free jazz of the period but he was actually leading the way rather than being part of a movement. In fact, this septet outing with trumpeter Eddie Gale, altoist Jimmy Lyons, Ken McIntyre (alternating between alto, oboe and bass clarinet), both Henry Grimes and Alan Silva on basses, and drummer Andrew Cyrille is quite stunning and very intense. In fact, it could be safely argued that no jazz music of the era approached the ferocity and intensity of Cecil Taylor's.

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