» » Anne Clark - Our Darkness ('97 Remixes)

Anne Clark - Our Darkness ('97 Remixes) FLAC download

Anne Clark Acid 1997 UK
  • Performer: Anne Clark
  • Title: Our Darkness ('97 Remixes)
  • Size FLAC ver: 1628 mb
  • Country: UK
  • Released: 1997
  • Style: Acid
  • Other formats: AAC VQF AHX VOX WMA VOC MMF
  • Genre: Electronic
  • Rating: 4.4 of 5
Anne Clark - Our Darkness ('97 Remixes) FLAC download
Anne Clark - Our Darkness ('97 Remixes) FLAC download

Tracklist Hide Credits

A Our Darkness (Hardfloor 97 Version)
Remix – Hardfloor
 6:14
B Our Darkness (Total Eclipse Remix)
Remix – Total Eclipse
 5:36

Companies, etc.

  • Phonographic Copyright (p) – Sony Music Entertainment Inc. – 12-664435-20

Credits

  • Written-By – Anne Clark, David Harrow

Barcode and Other Identifiers

  • Barcode (written): 5 099766 443560
  • Rights Society: SACEM-BIEM SDRM
  • Matrix / Runout (Side a stamped): 12 004435 20 1A1
  • Matrix / Runout (side b stamped): 12 004435 20 1B1
  • Label Code: 0162

Other versions

Category Artist Title (Format) Label Category Country Year
INK 125 Anne Clark Our Darkness ‎(12", Single) Ink Records INK 125 UK 1984
106 967, 106 967-100 Anne Clark Our Darkness / Sleeper In Metropolis ‎(7", Single) 10 Records, 10 Records, Red Flame, Red Flame 106 967, 106 967-100 Europe 1984
COL 664435 2 Anne Clark Our Darkness - Hardfloor 97 Version ‎(CD, Maxi) Columbia COL 664435 2 Germany 1997
80221 Anne Clark Our Darkness ‎(12", Maxi) 10 Records 80221 France 1984
INK 125 Anne Clark Our Darkness ‎(12", TP) Ink Records INK 125 UK 1984



Comments (1)

Enalonasa
That hypnotic melody and Anne's lyrical genius is one of those things that has worked for years now. When it came for the remixes in 1997, both camps went in different ways. Hardfloor went for their trademark acidic rerub while playing with the vocals and adding effects to it to enrichen the sound. Ramon & Oliver used their usual snareroll with a repeating vocalline in the breakdown to climax in a spectacular matter. Total Eclipse however kept it psychadelic and went for a dark and fast interpretation with a minimal vocal in favour for using the melody as the main drive while using the bassline to push it near the edge.

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