Various - Orient / Okzident - Musik Aus Südost-Europa FLAC download

Tracklist Hide Credits

Typical Instrumental Forms
I - The Stringed Instruments
A1	Miá Kóri Ap Tin Ólimbo. A Girl From Olimbos. Bagpipes [Tsambuna] – Antónios ZografídhisLute [Lauto] – Ioánnis KatiniárisLyre [Lira] – Mihaíl DhiargákisVocals [Singer] – Ioánnis Dhiakojórgis	2:45
A2	Khorós Tis Pirovasías. Dance Music For Walking On Fire. Lyre [Thracian Lira] – Dhimítrios I. Lántzos	1:49
A3	Horon Havası. Horon Dance Tune From Northeastern Anatolia. Kemenche [Kemençe] – Hasan Turna	2:27
A4	O Po Ish Kanë Bali Katravella. Once There Was A Certain Bali Katravella. Gusli [Lahuta] – Zejnel Sadrija	3:17
A5	Yörük Kadın Zeybeği Ve Ince Mehmet, Kadın Oyun Havası. Women's Dance Of The Yörüks, And Slender Mehmet; Women's Dance Song. Fiddle [Kabak Kemanı (Gourd Fiddle)] – Idriz KeksinLute [Cura Sazı] – Kâmil KeksinMusic By – Yörüks	2:40
II - Oboe And Drum
A6	Yörük Kızı Nennisi Ve Yörük Kızı Koşması. Two Dance Songs Of Yörük Girls. Bass Drum [Davul] – Hüseyin Doğan, jr.Music By – YörüksZurna [First Zurna] – Hüseyin DoğanZurna [Second Zurna] – Sabatthin Diner	3:22
A7	The End Of A Nibet. Bass Drum [Tapan] – Elez BeadiniZurna [First Zurla] – Suljo ImeriZurna [Second Zurla] – Dželadin Imeri	4:03
A8	Khorós To Ajíu Simíu: Pézun Ta Da'úlia. Tune For The Parish Fair Of St. Simon: The Drums Are Playing Drum [Tamburlo] – Jerasími SaléasReeds [First Karamuza] – Ioánnis MitsákosReeds [Second Karamuza] – Jórgos Saléas	2:18
Influences From The Epoch Of The Osmanli Turks
B1	Taksim In The Makām Hidžazkar Violin – Takis Papageorgiou	4:09
B2	Dhodeka Chronus Ekana Armatolos Ke Kleftis. Kleftiko. For Twelve Years I Was An Armatolos And Kleft. Kleftic Song Music By – KlephtsVocals [Singer] – Efángelos Merkúris	2:16
B3	Sevdalinka: U Šeheru Kraj Bistra Vrbasa. Sevdalinka. (Bosnian Urban Song.) In The Town By The Clear Vrbas Stream. Vocals [Singer] – Šunđo Sajam	0:52
B4	Uzun Hava. Long Tune. Vocals [Singer] – Güngör Karabudak	1:59
B5	Kayalar Yarılmasın. May The Rocks Not Split! Baglama [Bağlama], Vocals [Song] – Fazlı Balkı	5:16
B6	E, Pasha Nanën, E Ta Njofta Zanin-ë. Truly I Recognized Your Voice. Baglama [Qiteli], Vocals [Song] – Tahir Bama	4:00
B7	Kara Dut Gider Hamama. The Black Mulberry Goes Into The Hamam. Cümbüş – Mısa GünaydınVocals [Singing], Drum [Bowl Drum Dömlek] – Meylahat Günaydın	1:47
B8	Kırım Çingene Havası. Gypsy Melody From The Crimea. Music By – Gypsy*Vocals [Singer] – Gülizar Bazarakay	0:45
B9	Geamparale Dobrogene. Geampara Dance From The Dobrudja, Rumania. Cimbalom [Small Țambal] – Vasile Borgea	1:37
Old Forms
C1	Hora Dobrogeneǎ. Hora Dance From The Dobrudja. Fluier [Fluier Mic] – Nelo Buicǎ*	1:00
C2	Uzun Hava Ve Boğaz. Long Tune With Sound In Larynx. Kaval – Osman Koyuncu
C3	Para Tufa. The Hears Ahead. Albanian Shepherd Tune. Kaval [First Kavall] – Mahmut MahmutajKaval [Second Kavall] – Tahir Bama	1:09
C4	Syrtós. Dance Song. Wind [Lemon Tree Leaf] – Stávros Delékos	0:56
C5	Răčenica. Bulgarian Dance. Bagpipes [Gajda] – Ilías Kostópulos	2:16
C6	Kavodorítikos. Dance Tune From Cavo D'Oro. Bagpipes [Tsambúna] – Leonídas "Línos" MílasDrum [Da'úli Drum] – Antónios Mamás	2:38
C7	Kálanta. New Year Carol. Vocals [Singing] – Vasilikí G. Lióri	0:42
C8	Fére, Mánna Mou, To Ládhi. Wedding Song. Bring The Oil To Me Mother. Vocals [Singer] – Eléni A. Papajorgopúlu	1:44
C9	Yánnis And Marigó. Polyphonic Song From Northern Epirus. Vocals [Singer] – Eléni Dhaskári, Spirídhon Mátsias, Ólga Matsía	3:04
C10	Excerpt From A Funeral Lament Of The Kutsovlachs. Vocals [Singers: Women From Métsovon] – Kutsovlachs*	1:23
C11	Ojkanje. Singing On The Syllable "Oj" Vocals [Singer] – Joso Babić, Joso Bilandžić	0:40
C12	Nevestice Mlada. Young Bride. Wedding Song. Vocals [Singer], Flute [Dvojkinje] – Tome Lesica	1:38
C13	Four Polka Tunes. Flute [Dvojkinje] – Tome Lesica	2:35
C14	Potancu. Dance From The Island Of Krk. Oboe [Debela Sopila] – Vinko TrubićOboe [Tanka Sopila] – Ivan Dijanić	1:20
Influences From Central Europe
D1	Patinádha And Hasapikosérvikos From Northern Epirus. Clarinet – Mikháíl HalijánnisLute – Dhimítrios HalijánnisTambourine [Défi] – Jánnis HalijánnisViolin – Nikólaos Ikonómu	4:23
D2	Kaytarma. Crimean Tatar Dance. Accordion – Stelian ConstantinClarinet – Kamil IslamDrum [Daïre] – Kamil NecmedinMusic By – Crimean Tatars	3:57
D3	Azize, Oyun Havası. Beloved Woman. Dance Song. Trumpet, Cümbüş, Percussion, Ensemble [Gypsy Ensemble From Antalya] – Unknown Artist	2:03
D4	Tis Kozánis Ta Sokákia. The Small Streets Of Kozáni. A Dance Song. Accordion – Emmanuíl BatziliásClarinet – Jánnis MatziliásDrum [Small Drum, Tambúrlo] – Ilías MétsiosPercussion – Pávlos TromárasTrumpet – Konstantínos Dherílas	2:07
D5	Ta Tabánia. The Beams. A Tune Relating To A Local Event. Cimbalom [Santuri] – Panajótis BrátzosGuitar – Stávros RódhanosViolin – Harílaos Ródhanos	1:37
D6	When The Bride Is Fetched And Taken To The Bridegroom's House. A Wedding Melody From The Island Of Zakynthos. Guitar – Dhiónisios ApostólisViolin – Athanásios Kukís	1:41
D7	Wedding Song From Slavonia. Tamburitza [Samica], Vocals [Singer] – Luka ĐurićVocals [Singer] – Stajka Đurić	1:56
D8	Polko I Čsardaš. Polka And Csárdás. Contrabass [Plucked Bass Gardón] – Milko StauberGuitar [Gitara] – Đura BezjakViolin [Hegedé] – Fabian SmesnikZither [Trapezoidal Zither Cimbal] – Petar Pintarić	2:36
D9	The Conclusion Of A Tsiftetelli Dance. Clarinet, Electric Guitar, Electric Piano, Percussion, Effects [Acoustic Reverberation System] – The Vasílis Saléas group from AthensLeader – Vasílis Saléas*	1:36

Companies, etc.

• Copyright (c) – Staatliche Museen zu Berlin
• Copyright (c) – Stiftung Preußischer Kulturbesitz
• Made By – TELDEC »Telefunken-Decca« Schallplatten GmbH – 66.28 264
• Printed By – Reiter-Druck
• Distributed By – Klett Verlag – 17581

Credits

• Design [Cover Design] – Jürgen Spohn
• Graphics [Figures, Maps (After Copies Of The Author)], Layout – Konrad Zwingmann
• Liner Notes [English Translation] – Dr. Barbara Krader
• Mastered By [Master Tape] – Christian Jautschus, Wolf Dietrich
• Producer [Editor] – Artur Simon
• Recorded By [Recordings], Liner Notes [Commentary, Music Notations], Photography By [Photos] – Wolf Dietrich

Notes

Track A1 recorded 28 May 1972 in Olymbos, Karpathos, Dodecanese Islands, Greece. In a coffee house.
Track A2 recorded 6 June 1974 in ajía Eléni, district of Sérre, Greek Macedonia. In the house of the musician.
Track A3 recorded 9 June 1976 in Arhavi, Artvin Province, Turkey. In the house of the musician.
Track A4, B6 & C3 recorded 19 Spetember 1979 in Batusha (Batuša), Kosovo, Yugoslavia.
Track A5 recorded 17 May 1977 in Karagözler köyü, Aydın Province, Turkey. In the house of the Keskin family.
Track A6 recorded 16 May 1977 in Incirliova, Aydın Province, Turkey. In an outdoor restaurant.
Track A7 recorded 8 October 1974 in Tetovo, Yugoslav Macedonia.
Track A8 recorded 13 September 1975 in Ájios Thomás near Messolónghi, Central Greece. In The garden of a coffee house.
Track B1 recorded 13 September 1977 in Chalcis, Island of Euboea, Greece. In the house of the musician.
Track B2 recorded 18 September 1975 in Kandhíla, district of Arcadia, the Peloponnesos, Greece.
Track B3 recorded 1 October 1970 in the outskirts of Gacko, Hercegovina, Yugoslavia.
Track B4 recorded 16 May 1973 in Çandır, Ankara Province, Turkey. In the schoolhouse.
Track B5 recorded 30 May 1976 in Ürgüp, Nevşehir Province, Turkey. In a hotel.
Track B7 recorded 9 May 1977 in Uyanık, Denizli Province, Turkey. In the house of the musicians.
Track B8 recorded 21 May 1970 in Murighiol, the Dobrudja. Rumania.
Track B9 recorded 25 May 1970 in Mamaia Sat, in the house of the musician.
Track C1 recorded 17 May 1970 in Malcoci, the Delta Dunǎrii district, the Dobrudja, Rumania.
Track C2 recorded 4 October 1968 in Yeniköy, Antalya Province, Turkey. In the house of the musician.
Track C4 recorded 18 April 1980 in Gúve, Island of Euboia, Greece. Outdoors, outside the settlement.
Track C5 recorded 26 September 1977 in Skútari, Serres Province, Greek Macedonia, in the house of the musician.
Track C6 recorded 15 April 1980 in Ligórema near Káristos, Island of Euboia, Greece. In front of the house of the bagpipe player.
Track C7 recorded 20 April 1980 in Vília, Attica district, Greece.
Track C8 recorded 16 September 1977 in Theotókos, district of Thessaly, Greece. In the house of the singer's family.
Track C9 recorded 21 September 1977 in Ktísmata, Epirus, Greece. In the house of Spirídhon Mátsias.
Track C10 recorded 19 September 1977 in Métsovon, Epirus, Greece. In the house of the deceased, by the coffin.
Track C11 recorded 4 October 1970 in Maljkovo, near Sinj, Croatia, Yugoslavia.
Track C12 & C13 recorded 18 September 1976 in Omišalj, island of Krk, Yugoslavia. In the house of the musician.
Track C14 recorded 17 September 1976 in Vrbnik, island of Krk, Yugoslavia. In the house of Ivan Dijanić.
Track D1 recorded 20 September 1977 in Parakálamos, Epirus, Greece. In the house of the Halijánnis group.
Track D2 recorded 23 May 1970 in Valul Traian, the Dobrudja, Rumania. In a peasant courtyard during a wedding party of the Crimean Tatar minority.
Track D3 recorded 14 September 1968 in Antalya, Turkey. During a circumcision celebration in a courtyard.
Track D4 recorded 25 September 1977 in Krókos, Greek Macedonia. During a wedding celebration.
Track D5 recorded 4 May 1978, Ajásos, island of Lésvos, Greece. In the library of Ajásos.
Track D6 recorded 16 September 1975 in Kerí, Zákynthos, Greece. In the house of the violinist.
Track D7 recorded 7 October 1974 in Nijemci, Eastern Croatia, Yugoslavia. In the house of the musician.
Track D8 recorded 11 September 1976 in Molve, Croatia, Yugoslavia. At a wedding.
Track D9 recorded 17 April 1980 in Chalcis, Euboea, Greece. During a Gypsy wedding.

Musikethnologische Abteilung
Museum für Völkerkunde Berlin
Staatliche Museen
Preußischer Kulturbesitz

© 1983, Staatliche Museen Preußischer Kulturbesitz
Hergestellt bei der TELDEC »Telefunken-Decca« Schallplatten GmbH
Printer: Reiter-Druck, Berlin
Ernst Klett Stuttgart

Titles and credits on cover differ from those printed in the booklet, the latter being displayed here
Gatefold sleeve includes 32-page booklet with German and English liner notes

Barcode and Other Identifiers

• Matrix / Runout (Label Side A): 66.28 264-01-1
• Matrix / Runout (Label Side B): 66.28 264-01-2
• Matrix / Runout (Label Side C): 66.28 264-02-1
• Matrix / Runout (Label Side D): 66.28 264-02-2
• Other: 3-12-17581 0-1