» » Vengaboys - We Like To Party (The Vengabus)

Vengaboys - We Like To Party (The Vengabus) FLAC download

  • Performer: Vengaboys
  • Title: We Like To Party (The Vengabus)
  • Size FLAC ver: 1247 mb
  • Country: Australia
  • Released: 1998
  • Style: Hard House, Euro House, Progressive Trance
  • Other formats: AA AHX DXD MP4 RA VOX FLAC
  • Genre: Electronic
  • Rating: 4.8 of 5
Vengaboys - We Like To Party (The Vengabus) FLAC download
Vengaboys - We Like To Party (The Vengabus) FLAC download

Tracklist Hide Credits

That Side
A We Like To Party (The Vengabus) (Tin Tin Out Remix)
Remix – Tin Tin Out
This Side
B We Like To Party (The Vengabus) (Klubbheads Remix)
Remix – Klubbheads

Companies, etc.

  • Pressed By – EMI Records

Barcode and Other Identifiers

  • Matrix / Runout (A side runout stamped): 12TIVDJX 108 A-1-1-1
  • Matrix / Runout (B side runout stamped): 12TIVDJX 108 AA-1-1-1
  • Matrix / Runout (A side label): 12TIVDJX108-A
  • Matrix / Runout (B side label): 12TIVDJX108-B

Other versions

Category Artist Title (Format) Label Category Country Year
CSR CD5 0330 Vengaboys We Like To Party! (The Vengabus) ‎(CD, Maxi) Central Station CSR CD5 0330 Australia 1999
TIME 123 Vengaboys We Like To Party (The Vengabus) ‎(12") TIME TIME 123 Italy 1998
CSR CD5 0330 Vengaboys We Like To Party! (The Vengabus) ‎(CD, Maxi) Central Station CSR CD5 0330 Australia 1998
TIVLH 108 Vengaboys We Like To Party (The Vengabus) ‎(7", Single, Jukebox, Promo) Positiva TIVLH 108 UK 1999
567763-1 Vengaboys We Like To Party! (The Vengabus) ‎(12") Mo'Bizz Recordings GSA Division 567763-1 Germany, Austria, & Switzerland 1998



Comments (1)

Orll
Skip over the Tin Tin Out remix. It's fairly standard, unexciting Euro-Trance stuff and a slight departure from the usual TTO sound, I think. Go straight for the Klubbheads mix. The Vengaboys are all about cheesy, fun Euro-nonsense, anyway, so the Klubbheads just play on this and give the track some club credibility with a building, tougher melody sound and a HONKING one-note, off-beat bassline typical of everything Euro at the time (1998). Nice vocal edits in the intro bars (so you can cut them in during the mix) and, trust me, right out of the end of your mix it used to drop like a bomb when that bassline kicked in. More bounce than a pogo-stick and guaranteed to ignite your dancefloor.

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