Various - Tensions At The Vanguard: New Music From Peru (1948-1979) FLAC download

Tracklist Hide Credits

1-1	–Edgar Valcárcel	Invención	5:22
1-2	–Leopoldo La Rosa	Andes Nº 1 1969	4:17
1-3	–César Bolaños	Intensidad Y Altura	5:02
1-4	–Walter Casas	La Creación	6:26
1-5	–Luis David Aguilar	Mayhuay Cello – Ulises BullónConductor – Edgar ValcárcelViola – Luis David AguilarViolin – Héctor Cortez, Ibolya Rusznák	13:25
1-6	–Francisco Pulgar Vidal	Detenimientos Piano – Edgar ValcárcelViolin – Manuel Enríquez	9:52
1-7	–José Malsio	Danza	7:34
2-1	–Enrique Pinilla	Prisma	5:26
2-2	–Alejandro Nuñez Allauca	Gravitación Humana	13:56
2-3	–Celso Garrido-Lecca	Intihuatana Cello – Guarnieri RovattiEngineer – Aliro ZúñigaViola – Juan MenesesViolin – Federico Britos, Juan Gonzales	10:27
2-4	–Pedro Seiji Asato	Quasar IV Contrabass – Aurelio TelloPiano – Jorge Betancurt, Walter Casas	6:58
2-5	–Enrique Iturriaga	Cuatro Expresiones Para Violín Violin – Manuel Enríquez	6:01
2-6	–Arturo Ruiz Del Pozo	Lago De Totoras	6:25

Credits

• Compiled By, Liner Notes – Luis Alvarado
• Design – Matthew Shickele*
• Mastered By – Tom Hamilton

Notes

Track 1-1 composed for magnetic tape, 1967. Recorded at the Electronic Music Laboratory at Columbia University, New York, United States.
Track 1-2 composed for orchestra, 1969 (fragment). National Symphony Orchestra, readings of Peruvian works. Premiered in Lima in 1970 by the National Symphony Orchestra, conducted by Leopoldo La Rosa.
Track 1-3 composed for magnetic tape, 1964. Recorded at the Laboratory of Electronic Music at the Latin American Center for Higher Studies in Music (CLAEM) in the Institute Torcuato Di Della in Buenos Aires, Argentina.
Track 1-4 composed for piano, 1971. Premiered in Lima on September 29, 1971 by Agrupación Nueva Música.
Track 1-5 composed for string quartet, 1971.
Track 1-6 composed for violin and piano, 1967. Premiered in Lima on August 28, 1967.
Track 1-7 composed for orchestra, 1948-1950. National Symphony Orchestra, readings of Peruvian works.
Track 2-1 composed for magnetic tape, 1967. Recorded at the Electronic Music Laboratory at Columbia University, New York, United States.
Track 2-2 composed for magnetic tape, 1970. Recorded at the Laboratory of Electronic Music at the Latin American Center for Higher Studies in Music (CLAEM) in the Institute Torcuato Di Tella in Buenos Aires, Argentina.
Track 2-3 composed for string quarter, 1967. Zúñica recording studio, Lima, 1974. Premiered in Santiago, Chile in 1968 by the Cuarteto de la Universidad Católica.
Track 2-4 composed for two pianos and contrabass, 1973.
Track 2-5 composed for violin, 1967. Premiered in Lima on August 8, 1967.
Track 2-6 composed for magnetic tape, 1978. Recorded at the Electronic Music Laboratory at the Royal College of Music, London, England. Belongs to a cycle of concrete music works called "Native Compositions" .