» » Archibald T. Davison, Willi Apel, The University Of Chicago Collegium Musicum, Howard M. Brown, The University Of Kentucky Collegium Musicum, Wesley K. Morgan, The St. Meinrad Archabbey Schola Cantorum, Rev. Columba Kelly, O.S.B. - Early Medieval Music (P

Archibald T. Davison, Willi Apel, The University Of Chicago Collegium Musicum, Howard M. Brown, The University Of Kentucky Collegium Musicum, Wesley K. Morgan, The St. Meinrad Archabbey Schola Cantorum, Rev. Columba Kelly, O.S.B. - Early Medieval Music (P FLAC download

Archibald T. Davison Medieval 1976
  • Performer: Archibald T. Davison
  • Title: Early Medieval Music (Part 2)
  • Size FLAC ver: 1885 mb
  • Released: 1976
  • Style: Medieval
  • Other formats: AC3 VQF ADX VOC AHX MOD AA
  • Genre: Classical
  • Rating: 4.5 of 5
Archibald T. Davison, Willi Apel, The University Of Chicago Collegium Musicum, Howard M. Brown, The University Of Kentucky Collegium Musicum, Wesley K. Morgan, The St. Meinrad Archabbey Schola Cantorum, Rev. Columba Kelly, O.S.B. - Early Medieval Music (P FLAC download
Archibald T. Davison, Willi Apel, The University Of Chicago Collegium Musicum, Howard M. Brown, The University Of Kentucky Collegium Musicum, Wesley K. Morgan, The St. Meinrad Archabbey Schola Cantorum, Rev. Columba Kelly, O.S.B. - Early Medieval Music (P FLAC download

Tracklist Hide Credits

A1 - 19e Vos n'aler (d'Amiens)
Bass Vocals – James L. Mack Percussion – Richard EttelsonSoprano Vocals – Kathleen Terbeek
A2 - 19f C'est la fin
Bass Vocals – James L. Mack Harp – Jan AustinRecorder – Kaye ClementsViol, Fiddle [Medieval Fiddle] – Sonia Csaszar
A3 - 19g E, dame jolie
Harp – Jan AustinOrgan [Organetto] – Marjorie BensonPercussion – Richard EttelsonRebec – Carl HolzmanRecorder – Kaye ClementsViol, Fiddle [Medieval Fiddle] – Sonia Csaszar
A4 - 19h Pour mon cuer
Bass Vocals – James L. Mack Organ [Organetto] – Marjorie BensonPercussion – Richard EttelsonRebec – Carl HolzmanRecorder – Howard Brown , Kaye ClementsSoprano Vocals – Kathleen TerbeekTenor Vocals – Vittorio ZolezziViol, Fiddle [Medieval Fiddle] – Sonia Csaszar
A5 - 19i Espris d'Ire (le Vinier)
Harp – Catherine OieksaTenor Vocals – Aimo KiviniemiViol [Treble Viol] – Laurienne Depew
A6 - 20a Swa eyn vriund (Spervogel)
Lute – Cathy OgletreePercussion – David Davenport Tenor Vocals – William P. Whitesides*
A7 - 20b Nu al'erst (Vogelweide)
Lute – Cathy OgletreePercussion – David Davenport Tenor Vocals – William P. Whitesides*Viol [Treble Viol] – Laurienne Depew
A8 - 20c Der Mey (Reuenthal)
Harp – Catherine OieksaTenor Vocals – William P. Whitesides*
A9 - 20d Winder wie ist (Reuenthal)
Lute – Cathy OgletreePercussion – David Davenport Recorder – Kristine Forney, Richard Hamilton Tenor Vocals – William P. Whitesides*Viol [Treble Viol] – Laurienne Depew
A10 - 21a Gloria in cielo
Contralto Vocals – Diane McCloskeyOrgan – Richard Hamilton Percussion – David Davenport , Mark Tate Recorder – Kristine Forney, William PrizerViol [Treble Viol] – Laurienne Depew
A11 - 21b A tutta gente
Contralto Vocals – Diane McCloskeyOrgan – Richard Hamilton Recorder – William Prizer
A12 - 21c Santo Lorenzo
Organ – Richard Hamilton Tenor Vocals – Aimo Kiviniemi
A13 - 22a A Madre
Percussion – David Davenport Psaltery – Laurienne DepewTenor Vocals – Aimo Kiviniemi
A14 - 22b Mais nos faz
Organ – Richard Hamilton Tenor Vocals – William Howell
B1 - 22c Aque serven
Harp – Catherine OieksaLute – Cathy OgletreePercussion – David Davenport Recorder – Richard Hamilton Tenor Vocals – William Howell
B2 - 23a Sainte Marie (St. Godric)
Rebec – Carl HolzmanSoprano Vocals – Kathleen Terbeek
B3 - 23b Worldes blis
Percussion – David Davenport Tenor Vocals – Aimo KiviniemiViol [Treble Viol] – Laurienne Depew
B4 - 24 Der gülden Ton (Sachs)
Tenor Vocals – William P. Whitesides*
B5 - 25a Nos qui vivimus
B6 - 25b Sit gloria Domini
B7 - 25c Rex coeli
B8 - 25d Hymn to Saint Magnus
B9 - 26a Cunctipotens genitor
B10 - 26b Ut tuo propitlatus
B11 - 26c Alleluia: Angelus Domini
B12 - 27a Viderunt Hemanuel
B13 - 27b Cunctipotens genitor

Companies, etc.

  • Phonographic Copyright (p) – Southern Illinois University Press
  • Licensed From – Harvard University Press
  • Recorded At – Church of St. Meinrad Archabbey
  • Mastered At – Soundtek Inc.

Credits

  • Directed By [The St. Meinrad Archabbey Schola Cantorum] – Rev. Columba Kelly, O.S.B.
  • Engineer – Edward C. Verner, John Drew , John Gibbs
  • Ensemble – The St. Meinrad Archabbey Schola Cantorum*, The University Of Chicago Collegium Musicum (tracks: 19), The University Of Kentucky Collegium Musicum (tracks: 17-18)
  • Sleeve Notes, Directed By [The University Of Chicago Collegium Musicum] – Howard M. Brown (tracks: 19e-h, 23a)
  • Sleeve Notes, Directed By [The University Of Kentucky Collegium Musicum] – Wesley K. Morgan*
  • Vocals – Br. Brian Johnson, O.S.B. (tracks: 25, 26a, 26b, 26c, 27a), Br. Christian Rich, O.S.B. (tracks: 24c, 27b), Br. Chrysostom Conway, O.S.B. (tracks: 24c, 27b), Br. Guy Mansini, O.S.B. (tracks: 24c, 27b), Br. Josiah Bova (tracks: 25, 26a, 26b, 26c, 27a), Br. Kieran Klecaewski, O.S.B. (tracks: 24c, 27b), Br. Noah Casey, O.S.B. (tracks: 24c, 27b), Br. Samuel Weber, O.S.B. (tracks: 25, 26a, 26b, 26c, 27a), Br. Tobias Colgan, O.S.B. (tracks: 24c, 27b), Br. Zachary de Bernardi, O.S.B. (tracks: 25, 26a, 26b, 26c, 27a), Charles R. Eder (tracks: 25, 26a, 26b, 26c, 27a), Claude Hayden Shirley III (tracks: 25, 26a, 26b, 26c, 27a), Frater Novice Michael Bolte, O.S.B. (tracks: 25, 26a, 26b, 26c, 27a), Frater Novice Richard Miller, O.S.B. (tracks: 25, 26a, 26b, 26c, 27a), Harry E. Nichols (tracks: 25, 26a, 26b, 26c, 27a), Michael J. Barras (tracks: 25, 26a, 26b, 26c, 27a), Novice John Fassero, O.S.B. (tracks: 24c, 27b), Novice Richard Smith, O.S.B. (tracks: 24c, 27b), Rev. Blaise Hettich, O.S.B. (tracks: 25, 26a, 26b, 26c, 27a), Rev. Columba Kelly, O.S.B. (tracks: 25, 26a, 26b, 26c, 27a), Rev. Simeon Daly, O.S.B. (tracks: 24c, 27b), Stephen A. McCallister (tracks: 25, 26a, 26b, 26c, 27a), Stephen T. Jarrell (tracks: 25, 26a, 26b, 26c, 27a), Steven P. Rohifs (tracks: 25, 26a, 26b, 26c, 27a)

Notes

3rd part of a 3-part series (hence the unusual track numbers), which includes:
P251 - Early and Late 15th-Century Music
P248 - Early Medieval Music (Part 1)

Barcode and Other Identifiers

  • Matrix / Runout (A runout): STK-1055-A-E-1 // (stamped symbol resembling a house)
  • Matrix / Runout (B runout): STK-1055-B-E-1 // (stamped symbol resembling a house)
  • Matrix / Runout (A label): STK 1055A
  • Matrix / Runout (B label): STK 1055B
  • Other (Library of Congress Catalog Card Number): R68-3612


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