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Bugz In The Attic - Back In The Doghouse FLAC download

Bugz In The Attic Broken Beat 2006 UK
Bugz In The Attic - Back In The Doghouse FLAC download
Bugz In The Attic - Back In The Doghouse FLAC download

Tracklist Hide Credits

1 Intro
Mixed By – Thy Lord
2 Move Aside
Rap – Tor
3 I'm Gonna Letcha
Backing Vocals – Michelle EscofferyDrum Programming – Toni EconomidesKeyboards – Rob Mullarkey*
4 No More
Vocals – Michelle Escoffery
5 Once Twice
Recorded By [Additional Recording] – Karl InjexVocals – Alex Lattimore, Heston, Just One
6 Redhanded
Vocals – Don Ricardo
7 Doghouse (Interlude)
Mixed By – Cliff Scott*
8 Knocks Me Off My Feet
9 Consequences
10 It Don't Work Like That
Vocals – Vula
11 Sounds Like
12 Happy Days
Bass, Drum Programming – Mark ForceRecorded By [Vocals] – Dego
13 Don't Stop The Music
Backing Vocals – Colonel Red, IG CultureBass – Rob Mullarkey*Cello, Arranged By [Strings] – Izzi DunnKeyboards, Synthesizer [Strings] – Mark De Clive-LoweViolin, Viola – Stella Page
14 Inna Row
Vocals – Vanessa Freeman
15 Worla Hurt
Cello, Arranged By [Strings] – Izzi DunnViola – Stella PageViolin – Antonia PagulatosVocals – Don Ricardo
16 Booty La La
Vocals – M'pho*

Credits

  • Arranged By – Seiji (tracks: 9)
  • Arranged By [Vocals] – Seiji (tracks: 10)
  • Backing Vocals – Bémbé Ségué (tracks: 13, 16), Daz-I-Kue (tracks: 8), Orin Walters (tracks: 9, 13), Sharlene Hector (tracks: 2, 4), Yolanda Quartey (tracks: 2, 6)
  • Bass – Kaidi Tatham (tracks: 6, 11, 14), Matt Lord (tracks: 1, 14)
  • Drum Programming – Alex Phountzi (tracks: 6, 9, 13), Daz-I-Kue (tracks: 4, 8, 13, 15, 16), Matt Lord (tracks: 1, 3, 6, 11, 14), Orin Walters (tracks: 2, 6, 11 to 13, 15), Cliff Scott* (tracks: 7, 10, 12), Seiji (tracks: 2 to 5, 7, 8)
  • Guitar – Matt Lord (tracks: 11)
  • Keyboards – Daz-I-Kue (tracks: 4, 15, 16), Kaidi Tatham (tracks: 1, 5 to 10, 12 to 16), Matt Lord (tracks: 11), Seiji (tracks: 2 to 4)
  • Mixed By – Toni Economides (tracks: 2 to 6, 8 to 16)
  • Percussion – Kaidi Tatham (tracks: 1, 5, 11, 14), Matt Lord (tracks: 6, 14)
  • Producer – Bugz In The Attic
  • Recorded By – Afronaut* (tracks: 2, 4, 6, 9, 12, 13, 15), Alex Phountzi (tracks: 2, 3, 6, 9, 15), Daz-I-Kue (tracks: 2 to 5, 8, 15), Orin Walters (tracks: 5, 8), Cliff Scott* (tracks: 7, 10), Seiji (tracks: 2, 3, 5, 9), Thy Lord (tracks: 1, 6, 10, 11, 14)
  • Synthesizer [Strings] – Orin Walters (tracks: 13)
  • Vocals – Bémbé Ségué (tracks: 2, 3, 5, 6, 8, 9), Kaidi Tatham (tracks: 11, 14), Matt Lord (tracks: 11, 14), Orin Walters (tracks: 11), Sharlene Hector (tracks: 13), Yolanda Quartey (tracks: 5, 8, 12)

Barcode and Other Identifiers

  • Barcode (Scanned): 5033197363196
  • Matrix / Runout: NURT1036319 01 BACK IN TECHNICOLOR
  • Mastering SID Code: ifpi L283
  • Mould SID Code: IFPI 4640

Other versions

Category Artist Title (Format) Label Category Country Year
NURT 1036311 Bugz In The Attic Back In The Doghouse ‎(2xLP, Album) V2 NURT 1036311 UK 2006
NURT 1036319 Bugz In The Attic Back In The Doghouse ‎(CD, Album) V2 NURT 1036319 Europe 2006
NURT 1036318 Bugz In The Attic Back In The Doghouse ‎(CD, Album, RE) V2 NURT 1036318 UK 2006
NURT 1036312P Bugz In The Attic Back In The Dog House ‎(CD, Album, Promo, Car) V2 NURT 1036312P Europe 2006



Comments (1)

I am hcv men
And then, years later, Bugz in the Attic released their long awaited full album, and nothing happened. It should have been either the climax of the style or a letdown, and it wasn't neither: few people payed attention, and the album dissapeared. Not surprisingly."Back in the doghouse" has the same problem many albums with wonderful producers have: it's very well produced, yes, but it doesn't stand out, and it was supposed to do so. After many years of wonderful remixes (compiled in "Got the bug", a good album whose only fault were some heavy edits), after some wonderful productions and wonderful side projects, everybody expected more of their debut. And this is just, simply, a good throwback of the 70s and, above it all, the 80s. "Move aside" begs to be a perfect single, rather than being one, and the rest sound like loud singles that fight against each other to stand out. Everyone, from Seiji to Afronaught, from Kaidi to Mark Force, from Mark de Clive Lowe to Bembe Segue, have done much better things in their other projects, songs that were catchy, poppy and accessible. They have all mastered the pop production... and they said that these songs were chosen among hundreds as their best. Maybe they would have needed not only a bunch of songs, but some coherence between them.Standouts? The three songs that end the album. Inna Row brings the best of Thy Lord, Worla Hurt is a nice string-leaded ballad, and the single Booty La La which is still fun to listen to. But the rest... I hoped for more bravery, more inspiration, more funk. Less pop. Maybe my expectations were too high. Maybe they put them too high.EDIT: I will add another standout, the Dego-touched "Happy Days", which could have been perfectly in any of his albums. Somehow I find myself singing that one from time to time.

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