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Underdog - The Vanishing Point FLAC download

  • Performer: Underdog
  • Title: The Vanishing Point
  • Size FLAC ver: 1411 mb
  • Country: US
  • Released: 1989
  • Style: Hardcore
  • Other formats: AU VQF AIFF MP2 AUD DTS AC3
  • Genre: Rock
  • Rating: 4.7 of 5
Underdog  - The Vanishing Point FLAC download
Underdog  - The Vanishing Point FLAC download

Tracklist

01 From Now On
02 A Lot To Learn
03 Over The Edge
04 Mass Movement
05 Never Too Late
06 Back To Back
07 Underdog
08 Without Fear
09 Blindside
10 The Vanishing Point
11 No Matter What

Other versions

Category Artist Title (Format) Label Category Country Year
CAROL 1381, CAR 01381 Underdog The Vanishing Point ‎(LP, Album) Caroline Records, Caroline Records CAROL 1381, CAR 01381 US 1989
CAROL CD1381 Underdog The Vanishing Point ‎(CD, Album) Caroline Records CAROL CD1381 US 1989
GK 030, SVR009 Underdog The Vanishing Point ‎(LP, Album, RE) Go-Kart Records, Sound Views, Mendit GK 030, SVR009 US 1998
GK030CD Underdog The Vanishing Point ‎(CD, Album, RE) Go-Kart Records, Sound Views, Mendit GK030CD US 1998
CAROL MC 1381 Underdog The Vanishing Point ‎(Cass) Caroline Records CAROL MC 1381 US 1989



Comments (2)

Dammy
This, the sole Underdog full-length album, has gotten something of an undeserved, underrated legend. For many years, the opinion in hardcore circles on Underdog could largely be summed up as: "their 7" is great, and their album is lousy". Indeed, the Revelation "Demos" LP was, upon its 90s release, far more popular among hardcore fans (and purists) than was "The Vanishing Point." However, not only was Underdog never a typical band, but the album and label who released it were also atypical. Caroline was considered to be a major label by the strident hardcore community, and even Warzone was criticized for signing with them after their Revelation 7" release, in an interesting parallel. Underdog, like period NYC bands such as Life's Blood or Token Entry, was not a simplistic or purist hardcore band; their experimentation with slower tempos and reggae proves that. And with the inclusion of great skater/McRad alum Chuck Treece on guitar, whose talent made him an in-demand session artist, Underdog was looking to push the envelope. In addition, 1989 was a time of evolution for certain parts of the hardcore scene, and it could be said that Underdog was part of that. Between the production and the sound they chose, Underdog was clearly looking to carve their own niche. Years before the stomp/"groovecore" sound became popular in hardcore, Underdog was utilizing slow building tempos to highlight Richie Birkenhead's distinct and often anguished vocals. The opening "From Now On" and "A Lot To Learn" set the album up for this band's powerful messages driven by very tight musicianship. While hardcore purists will decry this as too much production, the album sounds like a cohesive whole and even a well-thought-out document. Underdog was a unique hardcore band, and one that fascinatingly, never really broke up. This NJ-based act still plays out sporadically, and this album was reissued by Go-Kart in 1998 with live bonus tracks on the CD (that are exclusive). Underdog is well worth another visit by grown up hardcore kids who'd passed them by, and by fans of hard and spiritual music overall. They were a band with a limited amount of remarkably tight and distinguished material that has aged very well.
Flas
Great review. I bought this LP when it came out, and at the time I had not yet heard the band's earlier material (although I had been into hardcore for 2 years at that point). This record will always define Underdog for me. It's hard to even begin to describe what makes it so great, suffice it to say that aggression AND innovation play equal roles. And I believe Chuck Treece's contribution was underrated on this effort. Man, do I wish he had stayed in the band longer. Once I heard McRad, it was clear what kind of influence Chuck brought to the creation of "The Vanishing Point". When I finally got to see Underdog in 1990 they were a 3-piece, having not-so-amicably parted ways with Chuck (or so the word was at the time). And in my opinion this record contains Richie's best and most varied vocal work.

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