» » Pyle - Iung - Greaves - The Pig Part

Pyle - Iung - Greaves - The Pig Part FLAC download

  • Performer: Pyle
  • Title: The Pig Part
  • Size FLAC ver: 1291 mb
  • Country: UK
  • Released: 2001
  • Style: Prog Rock
  • Other formats: VOC VOX AHX ASF MP4 MPC AC3
  • Genre: Rock
  • Rating: 4.8 of 5
Pyle - Iung - Greaves - The Pig Part FLAC download
Pyle - Iung - Greaves - The Pig Part FLAC download

Tracklist

1 Phase 2 4:14
2 1:45
3 Dog Bark Echo 4:11
4 Sad Song 3:19
5 Phase 1 4:32
6 Jimmy Real 4:57
7 1 Part 2 10:22
8 Dead God Dog Dingo 4:10
9 Mesnil-Esnard 0:49
10 Rouen 6:00

Companies, etc.

  • Phonographic Copyright (p) – Voiceprint
  • Copyright (c) – Voiceprint
  • Marketed By – Voiceprint
  • Distributed By – Voiceprint
  • Made By – Universal M & L, UK
  • Recorded At – Studio Accès Digital
  • Mixed At – Studio Accès Digital

Credits

  • Design Concept [Conception Graphique] – Patrick Lefèvre
  • Drums, Organ, Piano – Pip Pyle
  • Guitar, Kazoo, Vocals, Harmonica, Organ, Percussion, Double Bass, Trumpet, Jew's Harp [Guimbarde] – Philippe-Marcel Iung
  • Liner Notes – Iung*
  • Photography By – Bertrand Landais
  • Producer – Casays*, Greaves*, Iung*, Pyle*
  • Recorded By, Mixed By – François Casays
  • Vocals, Bass, Piano, Organ – John Greaves
  • Words By – John Greaves (tracks: 2, 6, 10), Peter Blegvad (tracks: 8)
  • Written-By – Casays*, Greaves*, Iung*, Pyle*

Notes

Enregistré et mixé sporadiquement de janvier 1997 a juin 1999 au Studio "Accès Digital" - Rouen.

Barcode and Other Identifiers

  • Barcode: 6 04388 30592 6
  • Rights Society: SACEM SACD SDRM SGDL
  • Matrix / Runout: VP225CD 01 5
  • Mastering SID Code: IFPI L135
  • Mould SID Code: IFPI 04F6
  • Other: MADE IN THE UK BY UNIVERSAL M & L

Other versions

Category Artist Title (Format) Label Category Country Year
VP225CD Pyle* - Iung* - Greaves* Pyle* - Iung* - Greaves* - The Pig Part ‎(CD, Album) Voiceprint VP225CD UK 2001

Comments (1)

Mr.Champions
This sees Pip Pyle (drums, keyboards, vocals) together again with John Greaves (vocals, bass, keyboards) - they worked together back in the days of National Health. And then there's one Philippe-Marcel Iung (guitars, guimbarde, voice, organ, harmonica, etc.), a mystery character who seems to be the magical ingredient. The recordings date from 1997-99, and cover a wide gamut of styles, all largely in the field between "Canterbury" and RIO, brash fusions that clash and shatter, side-steps from the old "classic" Captain Beefheart sound crossed with the most modern use of angular fusions, digital effects processing and total freedom in musical creativity. It's one of those albums that constantly surprises and challenges.

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